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Novel & Short Story Writer`s MarketNovel & Short Story Writer's Market: 1,900+ Places to Get Your Fiction Into Print by Anne Bowling; Vanessa Lyman
Inside this handbook, fiction writers will find completely updated market entries for book publishers, magazines, literary agents, contests and script houses, plus brand new information on e-publishers, including interviews with industry experts, editors of e-magazines and more.


Writing the Blockbuster NovelWriting the Blockbuster Novel by Albert Zuckerman
Every novelist dreams of it -- writing the book that rockets to the top of the best-seller lists. Now, they can see how it's done, up close, in a book by an agent who has sold manuscripts that turned into hits. Here Albert Zuckerman covers the essential elements of the blockbuster novel and shows writers how to put them to work in their books. Zuckerman covers the subject thoroughly, from creating outlines and building larger than life characters to injecting suspense and more. His instruction is decisive, direct and clear and is supported with examples from Gone With the Wind, The Godfather and other blockbusters.


The Spooky ArtThe Spooky Art: Thoughts on Writing by Norman Mailer
In his latest outing, Mailer takes on a range of subjects with his signature candor, exploring, among other topics, the attractions and limitations of nonfiction, the pressing need for work habits, the pitfalls of early success, and the dire business of coping with bad reviews. But perhaps the most entertaining moments are those in which he takes on his fellow writers, living and dead.


Novel VerdictsNovel Verdicts: A Guide to Courtroom Fiction by Jon L. Breen
Himself a writer of mystery novels and short stories, Breen (English, Rio Hondo College, Whittier, California) updates and expands his 1984 bibliography with annotations of he novels simple listed before, and with new novels published through 1997. For each of the 790 works, he includes standard bibliographic data, a code for how much actually takes place in court (most are B for brief), outlines the plot, and evaluates the book as a whole and the trial scenes in particular. The arrangement is alphabetical by author; indexes are by subject/title/author, cause of action, and geographical jurisdiction.


Writing in General and the Short Story in ParticularWriting in General and the Short Story in Particular by Rust Hills
Now a classic in the field, this practical guide to writing explains the essential techniques from character and plot to flashback and foreshadowing. A resource book for both beginning and seasoned writers.


Mastering Point of ViewMastering Point of View by Sherri Szeman
Guides writers through the difficult process of choosing point of view and provides straightforward instruction for using it well. Includes examples from notable writers.


Novel VerdictsNovel Verdicts: A Guide to Courtroom Fiction by Jon L. Breen
Himself a writer of mystery novels and short stories, Breen (English, Rio Hondo College, Whittier, California) updates and expands his 1984 bibliography with annotations of he novels simple listed before, and with new novels published through 1997. For each of the 790 works, he includes standard bibliographic data, a code for how much actually takes place in court (most are B for brief), outlines the plot, and evaluates the book as a whole and the trial scenes in particular. The arrangement is alphabetical by author; indexes are by subject/title/author, cause of action, and geographical jurisdiction.


The Writer`s Digest Sourcebook for Building Believable CharactersThe Writer's Digest Sourcebook for Building Believable Characters by Marc Mucutcheon
Six novelists reveal their approaches to characterization in this guide, which comes with a questionnaire to help writers probe their characters' backgrounds, beliefs, and desires and a "thesaurus" of physical and psychological traits to aid in character development.


45 Master Characters45 Master Characters: Mythic Models for Creating Original Characters by Victoria Schmidt
"45 Master Characters" explores the most common male and female archetypes, provides instructions for using them to create original characters, and gives examples of how other authors have brought such archetypes to life in novels, film and television. Worksheets included for writers to develop their own characters. 45 illustrations.


45 Master Characters45 Master Characters: Mythic Models for Creating Original Characters by Victoria Schmidt
"45 Master Characters" explores the most common male and female archetypes, provides instructions for using them to create original characters, and gives examples of how other authors have brought such archetypes to life in novels, film and television. Worksheets included for writers to develop their own characters. 45 illustrations.


Mooring Against the TideMooring Against the Tide: Writing Fiction and Poetry by Jeffrey Knott; Tim Schell; Jeff Knorr
This creative writing text will serve as a guide to steer through sometimes rough and unsure waters until the writer is safely moored against the tide.


Letters to a Young NovelistLetters to a Young Novelist by Mario Vargas Llosa; Natasha Wimmer; Mario Vargas Llosa
In the tradition of Rilke's Letters to a Young Poet, Mario Vargas Llosa condenses a lifetime of writing, reading, and thought into an essential manual for aspiring writers, revealing in the process his deepest beliefs about our common literary endeavor. A writer, in his view, is a being seized by an insatiable appetite for creation, a rebel, and a dreamer. But dreams, when set down on paper, require disciplined development, and so Vargas Llosa undertakes to supply the tools of transformation. Drawing on the stories and novels of writers from around the globe -- Borges, Bierce, Celine, Cortazar, Faulkner, Kafka, Robbe-Grillet -- he lays bare the inner workings of fiction, examining time, space, style, and structure, all the while urging young novelists not to lose touch with the elemental urge to create. Conversational, eloquent, and effortlessly erudite, this little book is destined to be read and reread by young writers, old writers, would-be writers, and all those with a stake in the world of letters.


The KeyThe Key: How to Write Damn Good Fiction Using the Power of Myth by Raymond Obstfeld; Franz Neumann
Myths, says James N. Frey, are the basis of all storytelling, and their structures and motifs are as powerful for contemporary writers as they were for Homer. In "The Key, novelist and fiction-writing coach Frey applies his popular "Damn Good" approach to Joseph Campbell's insights into the universal structure of myths, providing a practical guide for fiction writers and screenwriters who want to shape their ideas into a powerful mythic story.


Novel VerdictsNovel Verdicts: A Guide to Courtroom Fiction by Jon L. Breen
Himself a writer of mystery novels and short stories, Breen (English, Rio Hondo College, Whittier, California) updates and expands his 1984 bibliography with annotations of he novels simple listed before, and with new novels published through 1997. For each of the 790 works, he includes standard bibliographic data, a code for how much actually takes place in court (most are B for brief), outlines the plot, and evaluates the book as a whole and the trial scenes in particular. The arrangement is alphabetical by author; indexes are by subject/title/author, cause of action, and geographical jurisdiction.


Fiction First AidFiction First Aid: Instant Remedies for Novels, Stories and Scripts by Raymond Obstfeld
Just like a first aid manual, this reference quickly offers writers easy-to-follow steps and specific remedies for fixing the parts in their manuscripts that "just aren't working."


The Stuff of FictionThe Stuff of Fiction: Advice on Craft by Douglas Bauer
The Stuff of Fiction is a collection of lively essays by esteemed novelist Douglas Bauer on the tools of the fiction writer's craft. Based on his popular lectures as a core faculty member in the Bennington Writing Seminars, individual chapters examine the components of successful stories, from creating the first sentence to crafting a fitting ending. Bauer's primary focus is on three critical elements of fiction writing: dialogue, character, and dramatic event. He sees dialogue as an overheard conversation that has an inherent intimacy and power that should not be squandered by the writer. He discusses the challenge of creating characters that are psychologically complex, both flawed and sympathetic. He cautions new writers against overloading their stories with highly dramatic events--or avoiding them altogether.


On Teaching and Writing FictionOn Teaching and Writing Fiction by Wallace Earle Stegner; Lynn Stegner
Stegner brings together eight previously uncollected essays--including four never-before-published pieces--on writing fiction and teaching creative writing. In this unique collection he addresses every aspect of fiction writing from the writer's vision to his or her audience to the recognizable truth it seeks finally to reveal.


Careers for Your CharactersCareers for Your Characters: A Writer's Guide to 101 Professions from Architect to Zookeeper by Raymond Obstfeld; Franz Neumann
Creating realistic, well-developed characters that readers can believe in is one of the biggest challenges authors face. "Careers for Your Characters" makes it easier than ever by providing detailed descriptions for the 99 most written-about professions--everything from ad executives to waiters.


The Art & Craft of the Short StoryThe Art & Craft of the Short Story by Rick DeMarinis
In his highly personal and compelling style, DeMarinis shares advice, classic examples and exercises in this definitive book on the short story.


Complete Handbook of Novel WritingComplete Handbook of Novel Writing: Everything You Need to Know about Creating & Selling Your Work by Meg Leder; Writer's Digest; Jack Heffron
The Complete Handbook of Novel Writing is a compilation of the best articles and interviews from Writer's Digest magazine, books and annuals. Aspiring authors will find articles on the craft, art and process of fiction writing from such well-known authors as Sue Grafton, Richard Russo, Janet Fitch, Octavia Butler and Terry Brooks. They'll also glean a wealth of knowledge and advice from interviews with Kurt Vonnegut, Margaret Atwood, John Updike, Terry McMillan, Joyce Carol Oates, Tom Clancy and more! It's a comprehensive fiction-writing guide that tackles everything from crafting a story and using descriptive language to breaking through writer's block and getting an agent.


The Spooky Art: Thoughts on Writing by Norman Mailer
Novel & Short Story Writer's Market 2003 by Anne Bowling (editor)
On Writing by Eudora Welty
Negotiating with the Dead: A Writer on Writing by Margaret Eleanor Atwood
Careers for Your Characters : A Writers Guide to 99 Professions from Architect to Zookeeper by Raymond Obstfeld, Franz Neumann
The Plot Thickens: 8 Ways to Bring Fiction to Life by Noah T. Lukeman
Immediate Fiction by Jerry Cleaver
The Complete Guide to Editing Your Fiction by Michael Seidman
45 Master Characters : Mythic Models for Creating Original Characters by Victoria Schmidt
Hooking the Reader: Opening Lines that Sell by Sharon Rendell-Smock
On Writing by Stephen King
Fiction Writer's Brainstormer by James V. Smith, Jr.
The Writer's Digest Sourcebook for Building Believable Characters by Marc Mucutcheon
Writer's Guide to Character Traits by Linda N. Edelstein
Description (Elements of Fiction Writing) by Monica Wood
Dialogue (Elements of Fiction Writing) by Lewis Turco
Plot (Elements of Fiction Writing) by Ansen Dibell
Setting (Elements of Fiction Writing) by Jack M. Bickham
Conflict, Action and Suspense (Elements of Fiction Writing) by William Noble
Building Better Plots by Robert Kernen
Creating Fiction by Julie Checkoway
The Writer's Tool Box: How to Write Fiction and Non-Fiction That Will Sell by Patrika Vaughn
Writing the Short Story by Jack M. Bickham
Writing Fiction Step by Step by Josip Novakovich
Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew by Ursula K. Le Guin
Story Starters: How to Jump-Start Your Imagination, Get Your Creative Juices Flowing, and Start Writing Your Story or Novel by Lou Willett Stanek
Dynamic Characters by Nancy Kress
Six Walks in the Fictional Woods by Umberto Eco
Telling Lies For Fun & Profit by Lawrence Block, Introduction by Sue Grafton


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